Schwingt freudig euch empor, BWV 36

Schwingt freudig euch empor (Soar joyfully upwards), BWV 36, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig in 1731 for the first Sunday in Advent, and first performed it on 2 December 1731. The prescribed readings for the Sunday were from the Epistle to the Romans, night is advanced, day will come (Romans 13:11–14), and from the Gospel of Matthew, the Entry into Jerusalem (Matthew 21:1–9).

The texts are of mixed authorship[1], with Christian Friedrich Henrici (Picander) possibly responsible for movements 1, 3, 5 and 7,[2], Martin Luther for the texts of movements 2, 6, and 8, taken from his chorale Nun komm, der Heiden Heiland, and Philipp Nicolai for movement 4, his chorale Wie schön leuchtet der Morgenstern.

Contents

Scoring and structure

The piece is scored for oboes d'amore I/II, violins I/II, viola, and basso continuo, along with three vocal soloists (soprano, tenor, bass) and four-part choir. It is in eight movements, divided in two equal parts:

  1. Coro: "Schwingt freudig euch empor" for choral and orchestral tutti.
  2. Duetto (Chorale): "Nun komm, der Heiden Heiland" for soprani & alti, oboes d'amore colle parti, and continuo.
  3. Aria: "Die Liebe zieht mit sanften Schritten" for tenor, oboe d'amore, and continuo.
  4. Chorale: "Zwingt die Saiten in Cythara" for choral and orchestral tutti colle parti.
  5. Aria: "Willkommen, werter Schatz!" for bass, strings, and continuo.
  6. Chorale: "Der du bist dem Vater gleich" for tenors, oboes d'amore, and continuo.
  7. Aria: "Auch mit gedämpften" for soprano, violino solo, and continuo.
  8. Chorale: "Lob sei Gott, dem Vater, g'ton" for choral and orchestral tutti colle parti.

Selected recordings

Additional recordings are listed on the bach-cantatas entry of the cantata.

References

  1. ^ Christoph Wolff (Eds.): Die Welt der Bach-Kantaten, Metzler/Bärenreiter, Stuttgart und Kassel, 3 Bände Sonderausgabe 2006 ISBN 3-476-02127-0
  2. ^ C. S. Terry and D. Litti, Bach's Cantata Libretti, Journal of the Royal Musical Association 1917 44(1):71-125; doi:10.1093/jrma/44.1.71

Sources

The first source is the score.

General sources are found for the Bach cantatas. Several databases provide additional information on each single cantata: